You want an alien world created anew, with wonders and horrors
lurking in its furrows? You go to Ridley Scott, of course, spectacle maker and
pictorialist par excellence. So Prometheus is bound to be eye
filling, with fully wrought planetary vistas and occasionally jaw-dropping
visual coups. And did we use the word alien back there? Yes,
folks, Prometheus is a prequel, in a sideways sort of fashion,
to Scott's 1979 Alien original--or at least it's a
long-distant stage setter for that story. This one begins with a space mission
that could reveal the extraterrestrial roots of Earth, although what's buried
out on the planet turns out to be much more complicated than expected. In the
midst of suspenseful episodes (and a few contrived plot turns), Prometheus reaches
for Big Answers to Big Questions, in a grand old sci-fi tradition. This lends
the movie a hint of metaphysical energy, even if Scott's reach extends well,
well beyond his grasp. The hokier moments are carried off with brio by Michael
Fassbender (the robot on board), Charlize Theron, and Idris Elba, and then
you've got Noomi Rapace entering the badass hall of fame for a long,
oh-no-they-didn't sequence involving radical surgery, which might just induce
the vapors in a few viewers. Even if Prometheus has its holes,
the sheer size of the thing is exciting to be around. Because this movie is
gigantic. --Robert Horton.
A team of scientists journey through the universe on the spaceship
"Prometheus" on a voyage to investigate Alien life forms. The team of
scientists becomes stranded on an Alien world, and as they struggle to survive
it becomes clear that the horrors they experience are not just a threat to
themselves, but to all of mankind.
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